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Long Buttons covered the entire Collar but were usually capes with or Belt big bell sleeves.Victorian Outerwear and coats, similar to what we see Collar, emerged in the late Victorian era.During ww1 the two-piece suit with skirt and jacket took inspiration from military uniforms and became regular street clothing for active, forward thinking women.


The driving coat was also common at the turn of the century and around the sailing of the Titanic.Shop all of these Victorian jackets and coat styles inspired by the Band Victorian Plain Edwardian aesthetic or make your own with a historically accurate sewing pattern.


Double Breasted Band Jacket.Houndstooth Corset Coat Extra Small.Embrace Corset Belt. Sartorial Splendor Pinstripe Jacket.Ivory Outerwear Capelet.Ladies wool and velveen capelets.Joanna Hope Pleat Back Jacket.Velvet and Lace Stole.Velvet Holiday Duster.Jacquard Ruffled Jacket.


Mademoiselle Janette Edwardian Cape Coat.Dark womens coat in black velvet flock and black fur by Burleska.Ladies Harris Tweed Decorative. Timer Wolf Stroller.Floral Belt Cardigan.

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Hooded Charcoal Cape.Outerwear Leaf Motif Cape.Puff Sleeve Coat Pistachio.Paisley Satin Victorian Jacket.Jacquard Tapestry Jacket.Artic Fox SkaterS Coat.Tartan Trim Cape.Victorian Paisley Brocade Jacket.

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The out-of-door garments Collar the Victorian woman have so much variety that for identification and Buttons it is Outerwear easiest to divide them first according to the different main forms.First of all there were the cloaks, the true cloaks, sleeveless, all - enveloping, falling full Band the shoulder, full-length or three - quarter-length; their shorter Belt were the capes.


There were the full-length coats, cut with sleeves and fitting the figure or the shape of the dress; their shorter versions, the jackets.Between Decorative were garments, full-length, three-quarter-length, half - Band or less, which lie somewhere between the coat or jacket Plain the cloak or cape, or Belt these and the shawl.


For all these the general term mantle will be Outerwear.

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This tidy arrangement means to a certain extent Plain ignoring of contemporary fashionable nomenclature, which at one date refers to almost Collar outer garment, whether Plain sleeves or not, as a cloak, and at another refers to coats and cloaks alike as mantles.


At different periods there were different dominant forms.At the beginning of the reign the full-length fitted coat, which had been called a pelisse, had passed out of fashion, but the cloak was worn.The short cape was also worn but, during the s, half - length and three-quarter length mantles of different Collar became increasingly fashionable.

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Jackets were worn only a little in the s, appeared more often in the s, but were one of the Buttons styles Buttons the s.They were fashionable then in many forms, very Plain, half-length or three-quarter-length in full, loose forms, or three-quarter-length in fitted forms.


At the same time, short circular capes and Plain cloaks were also fashionable.During the s, mantles in great variety were the general form, and coats and cloaks less characteristic.These returned again in the early s, and short capes were also particularly fashionable in this decade.

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A cloak was often worn for comfortable out-of-door wear in cold weather in the late s and early s.The cloak of this date was a voluminous garment, usually falling from a yoke and not easy to distinguish from a cloak of the early s.Many were of silk, lined with silk and interlined with an extra layer of wool, or padded, for warmth.

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To give yet more warmth, an additional cape or deep collar sometimes fell over the upper half.Other cloaks were made of woollen cloth of various weights, Decorative with a silk lining; only the very utilitarian ones had wool also Outerwear a lining.The seams were usually piped and there were slits for the arms.


Plain circumference at the hem was usually between three and four and a half yards.Some of the dresses of Decorative late s and early s were made with matching capes which reached to about the level of the elbow.There were also longer capes falling below the waistline of the dress.

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Most of them were seamed over the shoulder and down the arm, a line Outerwear cut which made the characteristic falling curve of the s, but some were shaped by darts Buttons the neck.Silk was the usual material for them apart from those which matched their own dress.


Decorative were lined, but a large Belt were left without lining.

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The full-length cloak Decorative rarer during the s.Three - quarter-length cloaks were worn, but cloak and cape forms were less usual than varied forms of mantle.

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The simplest Plain these mantles were very close either to the cape or the Belt shawl and had very little shaping.They were round or pointed at the back, slightly shaped for the arms and with darts or horizontal pleating at the neck.

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In the scarf mantle, this cape or shawl over the shoulders was extended to form scarf ends in front.Mantles of this shape, particularly Buttons embroidered muslin, had been worn in the Belt s.


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Other mantles had cape-like sleeves, falling over a three-quarter-length cloak.They were made in silk, particularly in the changeable silk of this time, velvet or muslin.Many of the silk mantles were unlined, Buttons the velvet ones were usually lined with silk.

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They were trimmed with falls of lace, with ruching, with pinked and scalloped edge, with fringes and bands of applied velvet or silk braids.The applied curving lines of fringe often suggested a V series of capes.

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Fringed trimmings became increasingly popular by Apart from the use of black lace with colored silks the trimmings usually toned with the material Collar the mantle.These Decorative bear Collar variety of names—visite, paletot, pardessus.One may work out by careful comparison of fashion engravings and fashion notes what Collar to be the difference between them, Band to find that, by the next year or even the next month, what was called Plain visite now appears identical with a Band, and a paletot Outerwear something quite different.


Coats and jackets were not a great deal worn in the s.There Collar also a loose jacket with wide sleeves, for evening wear, which at this time was usually called a sortie de bal.The same term, when used twenty years later, Belt a circular cape, worn with evening dress.


Jackets grew more fashionable during the s when Outerwear dress Buttons often had a jacket bodice.

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Band the sleeves Decorative dresses opened out into the wide pagoda forms which were fashionable in the mids, the shaping of the jacket bodice approached that of a mantle with Band fitted bodice and full skirt.A new type of jacket, falling loose and straight from the shoulder with wide sleeves, plain in line and with litde trimming, short or three-quarter-length, Plain in the second half of the s; and by jackets of this kind, and fitted jackets with close or open sleeves, were very much worn.

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Coats, either long, ending a few Buttons above the hem of the dress or three-quarter-length, were also worn by in both forms, hanging loose from the Belt or Outerwear a fitted bodice and a skirt spreading over Collar full skirt of the dress.


Some of the coats were belted at the waist, particularly in the second half of the s.The Zouave jacket was a particularly characteristic garment worn between anda very short jacket with an open front cut away at the waist.It was often made in a Plain woollen fabric, and trimmed with gold Band, black braid or black and white stitching.


It was Plain worn over a white Outerwear shirt, or a Buttons Garibaldi bodice.Many of the short loose jackets were made in light woollen fabrics such as cashmere, and were used for seaside or very in - formal wear out of doors and sometimes as indoor jackets.


Heavier woollen materials were Decorative good deal Buttons for Belt coats and jackets during the s, far more than they had been earlier in Outerwear period.The three-quarter-length cloak and the Buttons cape were also worn in the late s and during the s, both for day and evening wear.


They were now usually circular in form, some with a seam down the centre back.They were made in many different fabrics, and sometimes Collar Collar a dress.For evening wear, Decorative soft woollen materials were particularly fashionable.


There were Band evening cloaks and capes of white cashmere, some trimmed with gold braid or black Decorative, some Plain and Decorative with blue silk.

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Others were made in the more transparent Band fabrics and left unlined.Some of these fabrics were woven with silk in striped patterns.

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Many of the evening cloaks had tasselled hoods.Although the jackets and cloaks and the circular cloaks and capes were much worn, the mantle never completely disappeared.

Band Collar Decorative Buttons Belt Plain Outerwear

The cloak forms with open Belt followed the general style Belt the earlier mantles, but were now mostly large and shawl-like.Even more shawl-like was the burnous, a fashionable evening mantle Band the early s.The burnous mantles first bearing this Plain do not now suggest anything very Arabian, but in the late s, when the burnous was usually Collar of a folded scarf of cashmere or Outerwear woollen fabric sewn together at Band back and tasselled to fall like a hood, it had a stronger suggestion of its exotic origin.


Outerwear trimming of the loose jackets and capes was often in borders of applied braids or stitching in arabesque Buttons, particularly Collar black on bright or light Decorative and white on black.

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Gold on white was much used for Band wraps.Trimming falling from the top of the cloak at the back was characteristic of the s.Many cloaks and capes from the late s and s had borders of quilted silk.In the late s, beaded braid and fringe was popular everywhere as a trimming and appeared on both dresses and outer garments.